I recommend to all lovers of photography and art in general that you visit the blog of Carlos " Moon is empty "always has a composition to be learned for our pictures.
Watercolor on Fabriano 18.5 x12cm.
Wednesday, March 30, 2011
How To Get Shiny Rayquaza In Emerald
Daily - Waiting
wanted to do a watercolor of the last photo 's blog Jose Carlos Pérez, it turned very well with all those shades cast a quick watercolor, but I found your blog review with this image was very strong that the shadow cast by the old lady on the wall.
I recommend to all lovers of photography and art in general that you visit the blog of Carlos " Moon is empty "always has a composition to be learned for our pictures.
Watercolor on Fabriano 18.5 x12cm.
I recommend to all lovers of photography and art in general that you visit the blog of Carlos " Moon is empty "always has a composition to be learned for our pictures.
Watercolor on Fabriano 18.5 x12cm.
Monday, March 28, 2011
Making A Hemp Bottle Cap Necklace
Watercolor Daily - Apple
A little tired of always seem faded watercolors, do a little experiment : happen and color meter face. This is the result of the experiment ... Watercolor on Fabriano 18.5 x12cm. 
Friday, March 25, 2011
Scary Movie Birthday Parties
Gerome The explanatory! Watercolor
As I took a vacation that was outstanding, I used to go to Madrid to see the Thyssen and the temporary exhibition Gerome. I also wanted to have taken advantage to paint a lot and go north to see the exhibition of Enrique Ochoa and greet pass Juankar Cardesín , but you know it seems that the weather is going to last long and then things go taking children to school, diapering and other ... Upon exposure
: awesome. Simply assumed Gerome the culmination of ten centuries of painting technique. And you may like more or less what he paints (expressionists hate to be the opposite of what they represent), but what is undeniable is that the oil dominated like no one has done.
few things surprised me: just used material, in fact only some light is very isolated something more than paint, the rest of the canvas is smooth as an eggshell. Clearly it was an exceptional artist. In almost all the pictures you can see the original pencil drawing, which gives an idea of \u200b\u200bthe transparency of his painting, guess who painted in layers or glazes. He is a master of textures, there is no discernible brushwork in his paintings / tables, except in details of the land on which a release (for example, in the famous painting of Christians and lions , traces of soil are dry brush), but get incredible finishes the way it treats the edges. His sculpture did not seem like no big deal, though there pretty innovated techniques polychrome marble, perhaps the most remarkable a bust of Sarah Bernhardt , but nothing exceptional.
I had brought pencils and a notebook to take some notes, and I could only do that I am showing of "The Bacchante " because they had too much time. I took advantage, yes, to buy the book catalog of the exhibition, superbly edited and with samples of these and other different tables, and a lot of data about their work (see photo). Incidentally, the picture on the cover of the book was there, and was a marvel of color, light and drawing.
After I took to see the Thyssen, who had long since I visited, and I was entranced by a landscaper who did not know anything and has several paintings in the museum, and also with another painter who was also unaware but seemed more irregular. The first is Frederic Edwin Church, American painter of the nineteenth century, and I looked fantastic. His pictures (of varying sizes) have a depth and a life, as he did not see much. In fact, after taking a good time watching one of his landscapes very closely in every detail, I started walking backwards away to take general vision, and I was ahead a couple of Dutch viejetes peeling of me were so dedicated to the Church good .
In any case, the picture that I liked about him was one called "abandoned Barca, very small size (about 30x20cm), which was a marvel. 'm Playing circulating on the Internet, because it has nothing to do with the original. Reproduction is completely desaturated color and looks like a pure land all, while the original is a bath of blue and green all around awesome. I have to do more research on this artist.
The other landscape is Hugh Bolton Jones, with a few pictures also in the museum. I thought that alternated with regular good things, but together we can say that very good too.
What else comment? Well, after seeing Gerome and smooth surfaces, I admired to see the wonder of Sargent filled gobs of paint (" The seller garlic in Venice") and then completely transparent parts where you could see the canvas. I marveled again Rembrandt self-portrait at the various restorations have removed all material applied by the Dutch (yet a marvel of a table). And as always, see Hals was (along with Velazquez ) the first impressionist Egon Schiele was a figure drawing machine (not his views, frankly, I do not say anything at all ), which Holbein was the best portrait of history, and look closely at the box Bramantino the risen Christ, who impresses live: do not look anything like the play that I put, and you can see great details about (like the moon is a face, for example). I also gave a vote of confidence to C. Pissarro , I had never been convinced, but also had its share of disappointment: I do not understand what is the critical Renoir (other than a gift for composition), endorsing that Corot in my humble opinion I had no idea (no color is not a single "clean" in his paintings), change a little the idea of \u200b\u200bmy dear Dürer: as an artist is great, but his pictures are little more than colored drawings,
that Live in earning a lot.
Finally, one day completito art. So I ended up with legs, kicking so much ground. And with what cost me the car could have bought one pictures of Thyssen, sure.
: awesome. Simply assumed Gerome the culmination of ten centuries of painting technique. And you may like more or less what he paints (expressionists hate to be the opposite of what they represent), but what is undeniable is that the oil dominated like no one has done.
few things surprised me: just used material, in fact only some light is very isolated something more than paint, the rest of the canvas is smooth as an eggshell. Clearly it was an exceptional artist. In almost all the pictures you can see the original pencil drawing, which gives an idea of \u200b\u200bthe transparency of his painting, guess who painted in layers or glazes. He is a master of textures, there is no discernible brushwork in his paintings / tables, except in details of the land on which a release (for example, in the famous painting of Christians and lions , traces of soil are dry brush), but get incredible finishes the way it treats the edges. His sculpture did not seem like no big deal, though there pretty innovated techniques polychrome marble, perhaps the most remarkable a bust of Sarah Bernhardt , but nothing exceptional.
I had brought pencils and a notebook to take some notes, and I could only do that I am showing of "The Bacchante " because they had too much time. I took advantage, yes, to buy the book catalog of the exhibition, superbly edited and with samples of these and other different tables, and a lot of data about their work (see photo). Incidentally, the picture on the cover of the book was there, and was a marvel of color, light and drawing.
In any case, the picture that I liked about him was one called "abandoned Barca, very small size (about 30x20cm), which was a marvel. 'm Playing circulating on the Internet, because it has nothing to do with the original. Reproduction is completely desaturated color and looks like a pure land all, while the original is a bath of blue and green all around awesome. I have to do more research on this artist.
The other landscape is Hugh Bolton Jones, with a few pictures also in the museum. I thought that alternated with regular good things, but together we can say that very good too.
What else comment? Well, after seeing Gerome and smooth surfaces, I admired to see the wonder of Sargent filled gobs of paint (" The seller garlic in Venice") and then completely transparent parts where you could see the canvas. I marveled again Rembrandt self-portrait at the various restorations have removed all material applied by the Dutch (yet a marvel of a table). And as always, see Hals was (along with Velazquez ) the first impressionist Egon Schiele was a figure drawing machine (not his views, frankly, I do not say anything at all ), which Holbein was the best portrait of history, and look closely at the box Bramantino the risen Christ, who impresses live: do not look anything like the play that I put, and you can see great details about (like the moon is a face, for example). I also gave a vote of confidence to C. Pissarro , I had never been convinced, but also had its share of disappointment: I do not understand what is the critical Renoir (other than a gift for composition), endorsing that Corot in my humble opinion I had no idea (no color is not a single "clean" in his paintings), change a little the idea of \u200b\u200bmy dear Dürer: as an artist is great, but his pictures are little more than colored drawings,
that Live in earning a lot.
Finally, one day completito art. So I ended up with legs, kicking so much ground. And with what cost me the car could have bought one pictures of Thyssen, sure.
Monday, March 21, 2011
Women Wearing Nylon Stocking
Daily - Crash! Watercolor
Well, actually I'm lying: there is a watercolor. And it's not a casualty. It's actually a wash made with coffee on Louise Brooks. And what an accident is because it was opening a jar of blue ink (the mania for two or three pictures at once), and I've dropped a big blue glob in the corner of the lips of the poor Louise and that there was no choice but to use it and continue with the blue too.
Louise Brooks was one of the actresses most famous of silent films in the insane war years, and it became fashionable to cut "Garcon." Born in 1906 and died in 1985, and has been an icon for a lot of artists, among them (the graphics world) Guido Crepax and Manara . In fact, in 1926 starred in a comic, "Dixie Dugan ."
was one of the "victims" of the transformation from silent films to sound, refusing to versions in spoken his silent films. Also, European stage was considered very risqué in their country of origin (USA), so that gradually was removed from the film industry.
began as a dancer at an early age, and soon swelled the ranks of the Ziegfeld girls , the equivalent of 007 movies to launch today a girl to fame. The world of Hollywood soon noticed her and started making movies, Hollywood but she did not care. Launched into the mecca of European cinema of the moment: Germany. There would be shot the vital character: Lulu, who appeared in " Pandora's box" of Pabst . After this film came several more both in Germany and France, with content too extreme for its time, but today we are surprised by its insipidness.
When he came home with 25 films baggage, Hollywood turned its back, both because of European films and for not following the unwritten rules of the studies. So he devoted himself to reading, painting and writing essays on the film industry until the 50 the French rediscovered and created the icon Brooks.
"I learned to act watching Martha Graham dance, and learned to dance by watching Charlie Chaplin to act." 
Louise Brooks was one of the actresses most famous of silent films in the insane war years, and it became fashionable to cut "Garcon." Born in 1906 and died in 1985, and has been an icon for a lot of artists, among them (the graphics world) Guido Crepax and Manara . In fact, in 1926 starred in a comic, "Dixie Dugan ."
was one of the "victims" of the transformation from silent films to sound, refusing to versions in spoken his silent films. Also, European stage was considered very risqué in their country of origin (USA), so that gradually was removed from the film industry.
began as a dancer at an early age, and soon swelled the ranks of the Ziegfeld girls , the equivalent of 007 movies to launch today a girl to fame. The world of Hollywood soon noticed her and started making movies, Hollywood but she did not care. Launched into the mecca of European cinema of the moment: Germany. There would be shot the vital character: Lulu, who appeared in " Pandora's box" of Pabst . After this film came several more both in Germany and France, with content too extreme for its time, but today we are surprised by its insipidness.
When he came home with 25 films baggage, Hollywood turned its back, both because of European films and for not following the unwritten rules of the studies. So he devoted himself to reading, painting and writing essays on the film industry until the 50 the French rediscovered and created the icon Brooks.
"I learned to act watching Martha Graham dance, and learned to dance by watching Charlie Chaplin to act."
Tuesday, March 15, 2011
My Ferret Has An Enlarged Spleen, What Can I Do
Daily - The dwarf Calabacillas
is a curious story of this painting. Has always assumed that corresponds the jester of Felipe IV Juan Calabazas, of which there is another table discussion on the authorship of Velázquez, and which I believe is clearly inferior.
But as "classical" Pumpkins, there are all kinds of theories about its real meaning, and the character portrayed. It has always been accepted that portrayed the dwarf, but new theories doubt it. In the book "Velázquez and Calderón ... " of the Royal Academy of History, we propose an interesting thesis: the pumpkins that seem to surround the dwarf are not such, but a (her left) a vessel of the usual at the time, and the other is a gold flask empty and overturned. The truth is that the flask is very clear.
From this data, the book takes place symbolizes how the vial Apollo, and therefore the true knowledge (through a line of thought a bit complex to describe briefly) and a duality between the choice of concepts equally possible: vacuum-packed, alive, dead, smart-dumb.
From there we went to the "rogue fable" of Aesop , in which a rogue goes to the temple of the god Apollo to try to trick you. In their hands lies a bird on the questioner to God if he is alive or dead. According to Apollo answer, the rogue will kill or release from his hands. God discovers the ruse and replied that only depends on the rogue he is alive or dead.
In the box, the Fool seems to hide something in his hands, giving credence to this theory, especially considering the crowd of Velázquez by philosophy (among his works are several philosophers, and I remember that in the list Your library also had books on the subject), but probably never know the real message of the picture.
In short, the book can find all the plot which, again, is very complex. Probably no entendáis no explanation that I have, but I've summarized the best I can ;-) Let's stay with the wonder
portrait executed by D. Diego , regardless of who the sitter. Watercolor on Fabriano
18.5 x12cm 
But as "classical" Pumpkins, there are all kinds of theories about its real meaning, and the character portrayed. It has always been accepted that portrayed the dwarf, but new theories doubt it. In the book "Velázquez and Calderón ... " of the Royal Academy of History, we propose an interesting thesis: the pumpkins that seem to surround the dwarf are not such, but a (her left) a vessel of the usual at the time, and the other is a gold flask empty and overturned. The truth is that the flask is very clear.
From this data, the book takes place symbolizes how the vial Apollo, and therefore the true knowledge (through a line of thought a bit complex to describe briefly) and a duality between the choice of concepts equally possible: vacuum-packed, alive, dead, smart-dumb.
From there we went to the "rogue fable" of Aesop , in which a rogue goes to the temple of the god Apollo to try to trick you. In their hands lies a bird on the questioner to God if he is alive or dead. According to Apollo answer, the rogue will kill or release from his hands. God discovers the ruse and replied that only depends on the rogue he is alive or dead.
In the box, the Fool seems to hide something in his hands, giving credence to this theory, especially considering the crowd of Velázquez by philosophy (among his works are several philosophers, and I remember that in the list Your library also had books on the subject), but probably never know the real message of the picture.
In short, the book can find all the plot which, again, is very complex. Probably no entendáis no explanation that I have, but I've summarized the best I can ;-) Let's stay with the wonder
portrait executed by D. Diego , regardless of who the sitter. Watercolor on Fabriano
18.5 x12cm
Super Glide Synthetic Ice For Sale
Ink Velazquez - Velazquez
A very fast point and the water carrier Calabacillas dwarf Velázquez. The more I study the more I am convinced that nobody was as big as the master.
Ink on paper A5
A very fast point and the water carrier Calabacillas dwarf Velázquez. The more I study the more I am convinced that nobody was as big as the master.
Ink on paper A5
Friday, March 11, 2011
Oracle Error: Ora-00911: Invalid Character
Testament models of Rodin
Translation testament Auguste Rodin by Soumaya Slim and Gabriela Romero Tamayo Huerta the book: " Auguste Rodin. Camille Claudel"
" Young people who want to be officiating of beauty, perhaps they like to find here the summary long experience. Amen
devoutly to teachers who preceded them. Bow down before Phidias and Michelangelo. Admire the serenity of a divine, the brutal angst other. The wine is a generous admiration for noble spirits. Take care, without
however, to imitate their older. Respectful of tradition, able to discern what she holds of endlessly fruitful: the love of nature and sincerity.
These are the two strongest passions of geniuses. All have worshiped Nature and have never lied. That tradition will tend the key by which you will evade routine. It's the same tradition who advised question without reality and who constantly preserves to submit blindly to a teacher.
that nature is the only goddess. Take her absolute faith. are certain that it never is ugly and limit their ambition to be faithful. Everything is beautiful for the artist, as throughout being and every thing, his penetrating gaze reveals the character is say, the inner truth that is transparent in the form. And this truth is beauty itself . Religious studies, can not fail to find beauty, because they find the truth.
Work hard. Strengthen in you, sculptors, the meaning of depth. EI spirit hardly familiar with this notion, that is not differently than surfaces. Imagine ways to volume is annoying him. That is, however, his job. First of all, to establish clearly big plans to sculpt figures. strongly accentuate the guidance given to each part of the body, head, shoulders, the pelvis , legs. The decision calls art. While output is accused of lines that penetrate the space and take over the depth.
When his plans to stop, everything has been found. His statue is already living. The details born and then arranged for themselves.
By modeling, I never think on the surface, but in relief. May his spirit conceived any surface as the tip of a volume that pushes him from behind.
levant Imagine the ways recovery from a substance to you. All life comes from a center, then germinates and spreads from the inside out. Similarly, the beautiful sculpture is always a powerful guess inner impulse. That's the secret of ancient art.
You, painters and observed in reality in depth. Take, for example , a portrait by Raphael. When this teacher represents a character in front, obliquely outputs chest and so is the illusion of three dimensions. All the great painters space probe. Is the notion of thickness where strength lies. remember this: no lines, only volumes. When you draw, do not worry never contour, but the relief. Relief is what governs the boundary. Ejercítense without rest. You need to be delivered to the office.
EI
art is that feeling. But without the knowledge of the volumes of proportions of the colors without the direction of the hand, feeling more alive is paralyzed.
What will be the great poet in a foreign country that ignores the language? In the new generation of artists, there are a number of poets who, unfortunately, refuse to learn to speak it. Why do m ore than babble. Patience! not have the inspiration. There. The unique qualities of the artist are wisdom, care, sincerity, will. Perform their duty as honest workers.
Be real, young. But that does not mean they are merely accurate. There basic accuracy: the photography and casting. EI does not start more art with inner truth. All kinds, all colors, translate feelings. The artist who is content with the look and who slavishly reproduce details will never be worthless teacher. If you have visited a cemetery in Italy undoubtedly have noticed that childishness artists commissioned to decorate the graves are given the task of copying, its statues, ornaments , lintels, braids horse. Are probably accurate. are not true, because they do not address the soul. Almost all of our sculptors remember those Italian cemeteries. In the monuments of our public spaces
do not distinguish more than Levites, tables, lamps, chairs, machines, balloons, telegraph. Point of inner truth, then point of art. Horrorícense to this ropavejería.
deeply and tenaciously Sean truthful. Do not ever hesitate to express what they feel, even when they are in opposition to established ideas. You may not be included at first. But its isolation will not last long. friends soon come to you because that which is deeply true for a man is for everyone. And yet, without faces, without contortions to attract public. Simplicity, innocence! The most beautiful subjects are in front of you
: those who know them best ...
My very dear and great Eugène Carrière, who left us so soon, showed genius paint his wife and children. Not enough to celebrate the maternal love be sublime.
Teachers are those who look with their own eyes what everyone saw and know see the beauty of it is too com m on to other spirits. The bad artists always see through the glasses of others.
The big point is moved, to love, wait, tremble, to live. Being a man before being an artist! True eloquence makes fun of eloquence, said Pascal. EI true art mocks the art. I return here the example of Eugène Carrière. In the presentations, most of the pictures are no more that painting: yours appear amid the other two windows open to life!
should welcome fair criticism. The OTHERS ARE recognize easily. Are confirming the doubt that besiege. Do not be wrapped by his conscience does not support. not fear the criticism unfair. Angered her friends. force them to reflect on the sympathy that they have and brag about it more strongly when better discern the reasons.
If your talent is new, not counting an al principle rather than few supporters and have a multitude of enemies. Do not be discouraged. The first triumph since know why love, the others are unaware why they are hateful é. The first are passionate about the truth and constantly gaining new adherents, the other did not witness any zeal durable for his false opinion. The first are tenacious the others fly to the winds. The victory of truth is true.
not waste your time tying worldly or political relations. Will many of his colleagues arrived in the plot to honors and fortune are not true artists . Some among them are, however, very smart and if you undertake fight with them over the same ground, will consume much time as themselves, ie, his whole life, then they will have no more than a minute to be artists.
Amen mission passionately. There is more beauty in it. Is much higher of what people think. The artist gives a great example. Adora his office: his most precious reward and joy of doing well. Today, alas, is persuade the workers for their misfortune to hate work and sabotage. EI world will only be happy when all people have souls of artists, ie
when all your work done with pleasure.
EI art is indeed a great lesson in honesty. EI true artist always expressed his mind at the risk of hitting all the prejudices established. And teaches openness to their peers. Now, imagine what wonderful progress suddenly be made if the absolute truth reign among men! Ah, how quickly the company would get rid of the errors and baseness
would have confessed and how quickly our country would become a Paradise! " 
Translation testament Auguste Rodin by Soumaya Slim and Gabriela Romero Tamayo Huerta the book: " Auguste Rodin. Camille Claudel"
" Young people who want to be officiating of beauty, perhaps they like to find here the summary long experience. Amen
devoutly to teachers who preceded them. Bow down before Phidias and Michelangelo. Admire the serenity of a divine, the brutal angst other. The wine is a generous admiration for noble spirits. Take care, without
however, to imitate their older. Respectful of tradition, able to discern what she holds of endlessly fruitful: the love of nature and sincerity.
These are the two strongest passions of geniuses. All have worshiped Nature and have never lied. That tradition will tend the key by which you will evade routine. It's the same tradition who advised question without reality and who constantly preserves to submit blindly to a teacher.
that nature is the only goddess. Take her absolute faith. are certain that it never is ugly and limit their ambition to be faithful. Everything is beautiful for the artist, as throughout being and every thing, his penetrating gaze reveals the character is say, the inner truth that is transparent in the form. And this truth is beauty itself . Religious studies, can not fail to find beauty, because they find the truth.
Work hard. Strengthen in you, sculptors, the meaning of depth. EI spirit hardly familiar with this notion, that is not differently than surfaces. Imagine ways to volume is annoying him. That is, however, his job. First of all, to establish clearly big plans to sculpt figures. strongly accentuate the guidance given to each part of the body, head, shoulders, the pelvis , legs. The decision calls art. While output is accused of lines that penetrate the space and take over the depth.
When his plans to stop, everything has been found. His statue is already living. The details born and then arranged for themselves.
By modeling, I never think on the surface, but in relief. May his spirit conceived any surface as the tip of a volume that pushes him from behind.
levant Imagine the ways recovery from a substance to you. All life comes from a center, then germinates and spreads from the inside out. Similarly, the beautiful sculpture is always a powerful guess inner impulse. That's the secret of ancient art.
You, painters and observed in reality in depth. Take, for example , a portrait by Raphael. When this teacher represents a character in front, obliquely outputs chest and so is the illusion of three dimensions. All the great painters space probe. Is the notion of thickness where strength lies. remember this: no lines, only volumes. When you draw, do not worry never contour, but the relief. Relief is what governs the boundary. Ejercítense without rest. You need to be delivered to the office.
EI
art is that feeling. But without the knowledge of the volumes of proportions of the colors without the direction of the hand, feeling more alive is paralyzed.
What will be the great poet in a foreign country that ignores the language? In the new generation of artists, there are a number of poets who, unfortunately, refuse to learn to speak it. Why do m ore than babble. Patience! not have the inspiration. There. The unique qualities of the artist are wisdom, care, sincerity, will. Perform their duty as honest workers.
Be real, young. But that does not mean they are merely accurate. There basic accuracy: the photography and casting. EI does not start more art with inner truth. All kinds, all colors, translate feelings. The artist who is content with the look and who slavishly reproduce details will never be worthless teacher. If you have visited a cemetery in Italy undoubtedly have noticed that childishness artists commissioned to decorate the graves are given the task of copying, its statues, ornaments , lintels, braids horse. Are probably accurate. are not true, because they do not address the soul. Almost all of our sculptors remember those Italian cemeteries. In the monuments of our public spaces
do not distinguish more than Levites, tables, lamps, chairs, machines, balloons, telegraph. Point of inner truth, then point of art. Horrorícense to this ropavejería.
deeply and tenaciously Sean truthful. Do not ever hesitate to express what they feel, even when they are in opposition to established ideas. You may not be included at first. But its isolation will not last long. friends soon come to you because that which is deeply true for a man is for everyone. And yet, without faces, without contortions to attract public. Simplicity, innocence! The most beautiful subjects are in front of you
: those who know them best ...
My very dear and great Eugène Carrière, who left us so soon, showed genius paint his wife and children. Not enough to celebrate the maternal love be sublime.
Teachers are those who look with their own eyes what everyone saw and know see the beauty of it is too com m on to other spirits. The bad artists always see through the glasses of others.
The big point is moved, to love, wait, tremble, to live. Being a man before being an artist! True eloquence makes fun of eloquence, said Pascal. EI true art mocks the art. I return here the example of Eugène Carrière. In the presentations, most of the pictures are no more that painting: yours appear amid the other two windows open to life!
should welcome fair criticism. The OTHERS ARE recognize easily. Are confirming the doubt that besiege. Do not be wrapped by his conscience does not support. not fear the criticism unfair. Angered her friends. force them to reflect on the sympathy that they have and brag about it more strongly when better discern the reasons.
If your talent is new, not counting an al principle rather than few supporters and have a multitude of enemies. Do not be discouraged. The first triumph since know why love, the others are unaware why they are hateful é. The first are passionate about the truth and constantly gaining new adherents, the other did not witness any zeal durable for his false opinion. The first are tenacious the others fly to the winds. The victory of truth is true.
not waste your time tying worldly or political relations. Will many of his colleagues arrived in the plot to honors and fortune are not true artists . Some among them are, however, very smart and if you undertake fight with them over the same ground, will consume much time as themselves, ie, his whole life, then they will have no more than a minute to be artists.
Amen mission passionately. There is more beauty in it. Is much higher of what people think. The artist gives a great example. Adora his office: his most precious reward and joy of doing well. Today, alas, is persuade the workers for their misfortune to hate work and sabotage. EI world will only be happy when all people have souls of artists, ie
when all your work done with pleasure.
EI art is indeed a great lesson in honesty. EI true artist always expressed his mind at the risk of hitting all the prejudices established. And teaches openness to their peers. Now, imagine what wonderful progress suddenly be made if the absolute truth reign among men! Ah, how quickly the company would get rid of the errors and baseness
would have confessed and how quickly our country would become a Paradise! "
Wednesday, March 9, 2011
Wedding Dance Mount & Blade Guide
daily Watercolor - two versions of the Castillo de la Mota
Two versions of the same theme: the Castillo de la Mota , famous because in it the great Anatoli Karpov gave me jaque mate en 10 movimientos cuando yo tenía 12 años (el muy abusón, todavía estoy esperando a que me dé la revancha ;-D). Bueno, no, famoso por
la cantidad de personajes históricos que por él han pasado, y por la cantidad de usos que ha tenido: desde posición defensiva hasta colegio (hoy en día), pasando por palacio, prisión, lugar de celebración de eventos (lo que comentaba de Karpov , fue una exhibición que dió en el castillo, en la que jugaba partidas simultáneas de 30 jugadores contra él, de modo que cuando ganaba a uno, se sentaba otro del público, y así durante una hora. Sólo un chico de 14 años consiguió make tables, the rest - would spend about 150-200 in front of the board, we shipped a plis plas.)
why I made two versions? In the first watercolor I jumped at without thinking too much and when I finished I said: "Yes, I painted the castle but I painted a watercolor," so I decided to do it again the next day.
The next day I went into the watercolor without thinking too much, though I tried to look a little more atmospheric perspective (obviously without much success if we see the tower on the right and his long shadow, although the main tower is a bit more careful in this respect). So probably
there will be a third version, to see if I with the right key ... Watercolor on Fabriano
18.5 x12cm.
Two versions of the same theme: the Castillo de la Mota , famous because in it the great Anatoli Karpov gave me jaque mate en 10 movimientos cuando yo tenía 12 años (el muy abusón, todavía estoy esperando a que me dé la revancha ;-D). Bueno, no, famoso por
la cantidad de personajes históricos que por él han pasado, y por la cantidad de usos que ha tenido: desde posición defensiva hasta colegio (hoy en día), pasando por palacio, prisión, lugar de celebración de eventos (lo que comentaba de Karpov , fue una exhibición que dió en el castillo, en la que jugaba partidas simultáneas de 30 jugadores contra él, de modo que cuando ganaba a uno, se sentaba otro del público, y así durante una hora. Sólo un chico de 14 años consiguió make tables, the rest - would spend about 150-200 in front of the board, we shipped a plis plas.) why I made two versions? In the first watercolor I jumped at without thinking too much and when I finished I said: "Yes, I painted the castle but I painted a watercolor," so I decided to do it again the next day.
The next day I went into the watercolor without thinking too much, though I tried to look a little more atmospheric perspective (obviously without much success if we see the tower on the right and his long shadow, although the main tower is a bit more careful in this respect). So probably
there will be a third version, to see if I with the right key ... Watercolor on Fabriano
18.5 x12cm.
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